TRANSITION 5 TOP (Hand-off variant)

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TRANSITION 5 TOP (Hand-off variant)

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Basketball play transition 5 top (hand-off variant), step 1: <div>we attack the basket, and if there is no advantage, we make a pass back (if the 1-on-1 is not clear, dribble to the semi-corner or as wide as possible to allow a pass back and start with the ball at 45)
We attack the basket, and if there is no advantage, we make a pass back (if the 1-on-1 is not clear, dribble to the semi-corner or as wide as possible to allow a pass back and start with the ball at 45).
STEP 1

We attack the basket, and if there is no advantage, we make a pass back (if the 1-on-1 is not clear, dribble to the semi-corner or as wide as possible to allow a pass back and start with the ball at 45).

Basketball play transition 5 top (hand-off variant), step 2: <div>we aim to start the reversal with a reception work by 5, with the possibility of using backdoor cuts depending on how the defense reacts
We aim to start the reversal with a reception work by 5, with the possibility of using backdoor cuts depending on how the defense reacts.
STEP 2

We aim to start the reversal with a reception work by 5, with the possibility of using backdoor cuts depending on how the defense reacts.

Basketball play transition 5 top (hand-off variant), step 3: <div>we cannot pass to 45, so the player who cannot receive will make a cut or backdoor to see if we gain an advantage, staying in the low post while the player from the corner moves up to get a 1-on-1 opportunity
We cannot pass to 45, so the player who cannot receive will make a cut or backdoor to see if we gain an advantage, staying in the low post while the player from the corner moves up to get a 1-on-1 opportunity.
STEP 3

We cannot pass to 45, so the player who cannot receive will make a cut or backdoor to see if we gain an advantage, staying in the low post while the player from the corner moves up to get a 1-on-1 opportunity.

Basketball play transition 5 top (hand-off variant), step 4: <div>a pin-down screen is set for the move to 45 to shoot or look for an interior pass, or otherwise wait for a direct screen with our 5
A pin-down screen is set for the move to 45 to shoot or look for an interior pass, or otherwise wait for a direct screen with our 5.
STEP 4

A pin-down screen is set for the move to 45 to shoot or look for an interior pass, or otherwise wait for a direct screen with our 5.

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